"Writing is a socially acceptable form of
schizophrenia." -- E.L. Doctorow
Novelist and historian E.L. Doctorow, whose novel Ragtime won every major writing award and was the precursor of many other great works to follow, said that it is the historian's place to tell us about a time in history or an era, but it is the novelist's role to tell us how we would act and feel if we lived in that time or era.
Born in 1931 (he died in 2015), Doctorow created characters that exemplified Ernest Hemingway's admonition that when writing a novel, the writer should create living people “ . . . people, not characters. A character is a caricature."
I thought about Doctorow and his marvelous work recently while doing a radio interview about my own novel And The Wind Whispered, which I set in the 1890s in South Dakota’s Black Hills. "You really put us into the time and place," the interviewer said. "Did you feel an obligation to make that real to us, so that we would know?"
I used Doctorow's words above as part of my response, saying that it is, indeed, the writer's obligation. It is not acceptable to be “mostly right.” We must be completely right in what we share if we are to remain true to our craft and the great writers like him who have led us along the way.
Novelist and historian E.L. Doctorow, whose novel Ragtime won every major writing award and was the precursor of many other great works to follow, said that it is the historian's place to tell us about a time in history or an era, but it is the novelist's role to tell us how we would act and feel if we lived in that time or era.
Born in 1931 (he died in 2015), Doctorow created characters that exemplified Ernest Hemingway's admonition that when writing a novel, the writer should create living people “ . . . people, not characters. A character is a caricature."
I thought about Doctorow and his marvelous work recently while doing a radio interview about my own novel And The Wind Whispered, which I set in the 1890s in South Dakota’s Black Hills. "You really put us into the time and place," the interviewer said. "Did you feel an obligation to make that real to us, so that we would know?"
I used Doctorow's words above as part of my response, saying that it is, indeed, the writer's obligation. It is not acceptable to be “mostly right.” We must be completely right in what we share if we are to remain true to our craft and the great writers like him who have led us along the way.
“Good writing is supposed to
evoke sensation in the reader,” Doctorow once said. “Not the fact that it
is raining, but the feeling of being rained upon.”
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