“Something
happens between a novel and its reader which is similar to the process of
developing photographs, the way they did it before the digital age. The photograph, as it was printed in the darkroom,
became visible bit by bit. As you read
your way through a novel, the same chemical process takes place.”
– Patrick Modiano
French novelist and 2014 Nobel Prize
in Literature winner Modiano turns 73 today and his analogy of the development of
the novel “before our eyes” is a remarkable one that also gives us a bit of a
look into his writing style. He lets the
picture slowly unfold, sometimes leaving us startled, sometimes satisfied,
sometimes angry, but always interested in what’s coming next.
His novels delve into the puzzle of
identity in ways seldom seen. And, he
tackles a time in France – the German occupation during World War II – that
evokes both heroism and shame depending on whose point of view his tale is
being told.
The winner of almost every major European and French writing award, he was
honored for his life’s body of work even prior to winning the Nobel and was –
up until that award – one of the few international writers whose work had never
been translated into English.
Modiano expressed what most
novelists feel about the writing process when he discussed “starting” a new
work. “I quickly realized that it is
difficult to get started when writing a novel. You have this dream of what you
want to create, but it is like walking around a swimming pool and hesitating to
jump in because the water is too cold.”
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