A Writer's Moment
A look at writing and writers who inspire us.
Popular Posts
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“Librarians and romance writers accomplish one mission better than anyone, including English teachers: we create readers for life - and w...
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“One of the great joys of life is creativity. Information goes in, gets shuffled about, and comes out in new and intere...
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“There was never yet an uninteresting life. Such a thing is an impossibility. Inside of the dullest exterior there is a drama, a comedy, ...
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A Writer's Moment: 'Property of the imagination' : “The English language is nobody's special property. ...
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A Writer's Moment: 'Information In; Creative Responses Out' : “One of the great joys of life is creativity....
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A Writer's Moment: 'Story ideas surround you' : “I always tell my students, 'If you walk around with your eyes and ears...
Friday, May 1, 2026
A Writer's Moment: It's what composes 'a stealth philosophy'
It's what composes 'a stealth philosophy'
“Fantasy
allows you to bend the world and the situation to more clearly focus on the
moral aspects of what's happening. In fantasy you can distill life down to the
essence of your story. “ – Terry Goodkind
Born
in Omaha in 1948, Goodkind is best known for his epic Fantasy series The
Sword of Truth and his
contemporary suspense novel The Law of Nines. The
Sword of Truth series has been translated into 20 languages, selling
over 25 million copies worldwide.
Initially
a violin maker and marine and wildlife artist, Goodkind decided to try his hand
at Fantasy writing in 1994. The end result was Wizard’s
First Rule, an immediate hit that changed his career trajectory. Writing almost steadily from that point on,
he produced 32 bestselling novels and one novella before his death in late
2020. His final book, The Children of
D’Hara, wrapping up his 6-book D’Hara series (the other 5 were released
in 2019 and 2020), was published posthumously in 2021.
Goodkind
said Fantasy allowed him to better tell his stories and convey the human themes
and emotions he desired to share.
“I've
always said Fantasy is sort of 'stealth philosophy',” he said shortly before
his death. “It allows you to say things that sound very dramatic and
get away with it. If you had characters in modern fiction say the same things
as they're driving down the street in an Oldsmobile, they'd sound ludicrous!”
Thursday, April 30, 2026
A Writer's Moment: 'And then what happens?'
'And then what happens?'
“There's
a village in my computer - friends, fans, readers, and colleagues. It's a
populous, sometimes chaotic little burg always bustling with news, gossip,
opinions and potential excitement.” – Lisa Unger
Born
in Connecticut on April 26, 1970 Unger spent her elementary school years in The
Netherlands before returning to the U.S., and eventually moving to New York
City where she worked in publishing for 10 years before diving into a full-time
and award-winning writing career.
Today
she is an international bestselling author
of 23 novels – primarily psychological thrillers – on the market in 26
languages, her most recent being
Secluded Cabin Sleeps Six and The New Couple in 5B.
Also a successful essayist, Unger's writings have appeared in the New York Times and Wall Street Journal and (with her narrating) on National Public Radio. Unger says she
loves writing just to see where each story is going to take
her.
“I
write for the same reason I read, to find out what's going to happen,” she said. “I don't think of my characters as people I
create, I think of them more as people I have met and whom I'm exploring on the
page.”
Wednesday, April 29, 2026
A Writer's Moment: 'It creates a communal nature'
'It creates a communal nature'
“A
novelist writes a novel, and people read it. But reading is a solitary act.
While it may elicit a varied and personal response, the communal nature of the theater
audience is like having five hundred people read your novel and respond to it
at the same time. I find that
thrilling.” – August Wilson
Born
in Pittsburgh on April 27, 1945 Wilson wrote 20 plays, highlighted by the 10-play
Pittsburgh (or Century) Cycle.. Each of the 10
plays is set in a different decade of the 20th Century,
depicting both comic and tragic aspects of the black experience.
Over
his career, cut short by his death from liver cancer, he won 8 New York Drama Critics Awards,
two Pulitzer Prizes (for Fences and The Piano Lesson) and a
Broadway Tony Award, also for Fences, which then was made into an award-winning
movie.
Wilson,
who died in 2005, said his aim with The Century Cycle was to sketch the black
experience and "raise consciousness through theater.” He was
fascinated by the power of theater as a medium to bring community together to bear witness to life.
And,
he added, “I think my plays offer white Americans a different way to look at
black Americans.”