A Writer's Moment
A look at writing and writers who inspire us.
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“One of the great joys of life is creativity. Information goes in, gets shuffled about, and comes out in new and intere...
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A Writer's Moment: 'Property of the imagination' : “The English language is nobody's special property. ...
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A Writer's Moment: 'Information In; Creative Responses Out' : “One of the great joys of life is creativity....
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A Writer's Moment: 'Story ideas surround you' : “I always tell my students, 'If you walk around with your eyes and ears...
Monday, July 20, 2026
A Writer's Moment: 'Well, Imagine That'
'Well, Imagine That'
“If the
novelist isn't surprised by where his book ends up, he or she probably hasn't
written anything worth remembering.”
– Tom Robbins
Born in Blowing
Rock, NC in July of 1932, Robbins went to school in Virginia and after a stint
in the military started his writing as a journalist. His creative writing career started
in the mid-1960s when he rejected an opportunity to write a book about art but
told the publisher that he had an idea for a novel. The publisher
gave him a chance and the result was the bestseller, Another Roadside
Attraction.
Robbins,
who died in 2025, wrote 8 bestselling novels, many dozens of short stories and
essays, and 2 nonfiction books, including the self-declared “un-memoir” Tibetan
Peach Pie: A True Account of an Imaginative Life. Heading up the
list of his many successes is his irreverent novel Even Cowgirls Get
the Blues, also made into a popular movie. Ultimately, Writer’s
Digest named him one of the 100 Best Writers of the 20th Century.
“The one
thing emphasized in any creative writing course is 'write what you know,' and
that automatically drives a wooden stake through the heart of imagination,”
Robbins said. “If they really understood
the mysterious process of creating fiction, they would say, 'You can write
about anything you can imagine.'”
Saturday, July 18, 2026
A Writer's Moment: 'It's a search for order'
'It's a search for order'
“For me, poetry is always a search for order.” – Elizabeth Jennings
Jennings was born in England on this date in 1926 and was lauded for
her lyric poetry and mastery of form. She
started writing in her mid-20s after graduating from Queen Anne’s College and
was published in such major journals as Oxford Poetry, New
English Weekly, The Spectator and Poetry Review before
her first book, Poems, – winner
of the Arts Council of Great Britain’s award for “Best First Book of Poetry” – came
out in 1953.
She followed it with A Way of Looking, winning
the Somerset Maugham Award given to leading writers under the age of 35. For
Saturday’s Poem, here is Jennings’,
Delay
The radiance of the star that leans on me
Was shining years ago. The light that now
Glitters up there my eyes may never see,
And so the time lag teases me with how
Love that loves now may not reach me until
Its first desire is spent. The star's impulse
Must wait for eyes to claim it beautiful
And love arrived may find us somewhere else.
Friday, July 17, 2026
A Writer's Moment: 'A most solitary occupation'
'A most solitary occupation'
“Writing
is a solitary occupation. Family, friends, and society are the natural enemies
of the writer. He or she must be alone, uninterrupted, and slightly savage if
he is to sustain and complete an undertaking." –
Jessamyn West
Born in Indiana on this date in 1902, West wrote dozens of short
stories and 20 novels, most notably her acclaimed The Friendly
Persuasion – also made
into an Academy Award “Best Movie” nominee – and its sequel, Except
For Me and Thee, eventually made into a much-heralded television
movie.
West started her adult life as an elementary teacher in California
before contracting tuberculosis and being sent to a sanatorium for
treatment. While there, undergoing
extensive treatment and rehabilitation, she began writing to pass the time and
after regaining her health decided to continue pursuing writing as a career.
Her stories, loosely based on tales told to her by her mother and
grandmother about their life in rural Indiana, often reflect West’s proclaimed love of bygone eras.
“The past,” she said, “is really almost as much a work of the
imagination as the future.”