“At school, I was never given a
sense that poetry was something flowery or light. It's a complex and controlled
way of using language. Rhythms and the
music of it are very important. But the difficulty is that poetry makes some
kind of claim of honesty.” – Tobias Hill
A multi-talented writer of fiction,
poems and short stories, Hill was born in London on March 30, 1970 and died of
brain cancer in 2023. He won awards for
all his writing efforts, which included 4 volumes of poetry, 4 novels, a short
story collection, and a children's book in just 20 years of writing.
For Saturday’s Poem from his
award-winning Midnight in the City of Clocks (influenced by his
experience of life in Japan), here is Hill’s,
October
She
meets the train
at
Burning Stone station,
red
leaves in her pocket
and
the river from the mountain
green
as an eye.
The
sun keeps rhythm
through
the pines. The train beats time. She tells me that
her
name translates as Three Eight Sweet One,
Sickle-Hand,
and that her town
is
famous for carrots, and that
The
moon has no face in Japan,
but
the shadow of a hare,
leapt
from the arms of a god.
Later,
under the sod-black trees
she
hides her face against the wind
and
asks me to teach her to kiss.
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