Before there was Bugs Bunny or Roger Rabbit or
any other animated “rabbit” character, there was a 1926 rabbit named Oswald the
Lucky Rabbit. Praised as “exceptionally
clever,” Oswald was hugely popular and had a high merchandise tie-in
performance – always a plus, I guess, in the animation world (think everything “Frozen”).
As Oswald’s popularity continued to soar, his
young creator decided he’d like a little larger share of the profits for his
creation. But instead of giving him more, the powers that be in the New York
advertising world proposed reducing his amount and threatening to take away the
rights to Oswald if the animator did not agree.
He did not, and he lost Oswald, which, fortunately for the rest of the
world and for posterity, resulted in his turning to a new creation – a little
mouse named Mickey.
Based on a mouse he had adopted as a pet while
working in his threadbare Laugh-O-Gram studio in Kansas City, young Walt Disney
and his good friend Ubbe Iwerks reworked
mouse sketches made by Disney to make a new animated character. And, beyond any earlier creations, Mickey
Mouse also talked. From 1927, the year
of Mickey’s arrival on the scene, until 1947 (the year I was born, although I
can’t really say there was any sort of tie-in) Mickey's voice – and personality,
of course – was provided by Disney. In
the words of one Disney employee, "Walt gave Mickey his soul."
And thanks to the greed of a corporation that
wanted more control of Oswald the Rabbit, who faded from the scene once Disney
left him behind, an entertainment empire was formed.
Walt
Disney and Mickey at Disneyland
While Walt Disney – born this day in 1901 – was primarily known as a cartoonist and
business mogul, he also was a terrific writer and had an uncanny ability to
recognize and adapt others’ writing into the many movies his new studio
produced. By the time of his death, at
the relatively young age of 65, Disney had won
22 Academy Awards (nominated an astounding 59 times) and 4 honorary Academy
Awards for his work. He also won 7 Emmys
for his television productions.
“Life
is composed of lights and shadows and we would be untruthful, insincere and
saccharine if we tried to pretend there were no shadows,” Disney once said,
when asked why he sometimes created characters and dialogue not as upbeat and
“happy” as his early cartoon work. “We
keep moving forward,” he said, “opening new doors and doing new things, because
we’re curious, and curiosity keeps leading us down new paths.”
Great
advice for writers, too.
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