“Breathe-in
experience, breathe-out poetry.” – Muriel Rukeyser
Born on this date in 1915 Rukeyser started writing poetry while still in high school but didn’t write it seriously until 1935. That year her first book, Theory of Flight was published by the “Yale Younger Poets Series,” selected personally by poet laureate Stephen Vincent Benét, who wrote the book’s introduction. In her lifetime (she died in 1980) Rukeyser wrote 25 books, 18 of them poetry. For Saturday’s Poem, here is Rukeyser’s,
Reading Time: 1 Minute 26
Seconds
The fear of poetry
is the
fear: mystery
and fury of a midnight street
of windows
whose low voluptuous voice
issues, and
after that there is not peace.
The round
waiting moment in the
theatre:
curtain rises, dies into the ceiling
and here is
played the scene with the mother
bandaging a
revealed son's head. The bandage is torn off.
Curtain goes down. And here is the moment of
proof.
That climax when
the brain acknowledges the world,
all values
extended into the blood awake.
Moment of proof.
And as they say Brancusi did,
building his
bird to extend through soaring air,
as Kafka planned
stories that draw to eternity
through time
extended. And the climax strikes.
Love touches so
that months after the look of
blue stare of
love, the footbeat on the heart
is translated
into the pure cry of birds
following
air-cries, or poems, the new scene.
Moment of proof.
That strikes long after act.
They fear it.
They turn away, hand up, palm out
fending off
moment of proof, the straight look, poem.
The prolonged
wound-consciousness after the bullet's
shot.
The prolonged
love after the look is dead,
the yellow joy
after the song of the sun.
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