“It's
in literature that true life can be found. It's under the mask of fiction that
you can tell the truth.” – Gao Xingjian
Born in China on this
date in 1940, Nobel Prize-winning writer and critic Gao is now a naturalized French
citizen who makes his home in Paris. He
is also a noted translator (particularly of Samuel Beckett and Eugène Ionesco),
and a screenwriter, stage director, and celebrated painter.
Known as a pioneer of
absurdist drama in China, where Signal Alarm and Bus Stop 1983)
were produced during his term as resident playwright at the Beijing People's
Art Theatre from 1981 to 1987. Influenced by European theatrical models, it
gained him a reputation as an avant-garde writer. After his early successes, he started
writing plays that criticized the government’s policies, ultimately leading to
his move to France.
Gao said he feels that many writers
“simply have to believe in themselves” in order to carry on with what they are doing, even when
they are receiving little support for their efforts. “In the history of literature there are many
great enduring works which were not published in the lifetimes of the authors,”
he explained. “If the authors had not achieved
self-affirmation while writing, how could they have continued to write?”
“When you use words, you're able to
keep your mind alive,” Gao said. “Writing is my way of reaffirming my own
existence.”
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