Every
couple days I read a few more pages in the second volume of The
Letters of Ernest Hemingway and I’m always rewarded with some little tidbit
about him or his writing that I didn’t know.
And the bonus is that they come directly from him through the words he
was writing to others.
His
letters are written to a wide range of friends, family and publishing
associates during the months he was working on the manuscript of a novel he was
calling Fiesta, a name that it would
be marketed under in most of its European editions.
I was surprised to find out that he really wasn’t sure just how long his manuscript should be before it was considered “A Novel.” He was noted for his short stories, and had
just cobbled together a dozen of them into the book In Our Times, but he really hadn’t done
a novel in the traditional sense until this point.
Writing
in late August, 1925, to a publishing friend
from his hotel in Spain – where he had isolated himself to get the
project completed – he wrote: “Hadley’s (his
first wife) just gone up to Paris yesterday.
I’m staying here to finish a novel.
Have 10 ½ chapters done. How long
is a novel anyway? Only thing I have
here outside of French and Spanish is 1563 pages (of something called) War and Peace by a man calls himself
Tolstoi. Very discouraging. I’ve only done 200 pages of 200-220 words
apiece … (but) Think it’s going to be a Wham.
Hope so.”
I
like some of Tolstoy’s work, but I’m glad that journalistic feature writers
like me have Hemingway and that book Fiesta
– retitled in America as The Sun Also
Rises – as our models for what we can hope to achieve.
Ernest Hemingway with Lady Duff
Twysden, wife
Hadley (center), and friends, during the July 1925
trip to Spain
that inspired The Sun Also Rises.
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Tolstoi and Hemingway--always an interesting contrast. I belong to the "never made it all the way through War and Peace club." I'm pretty sure it's a BIG club! As both a writer and reader, I too prefer Hemingway's definition of "long."
ReplyDeleteCarolyn