“No
one can teach writing, but classes may stimulate the urge to write. If you are
born a writer, you will inevitably and helplessly write. A born writer has
self-knowledge. Read, read, read. And if you are a fiction writer, don't
confine yourself to reading fiction. Every writer is first a wide reader.”
– Cynthia Ozick
A native New Yorker born on this day
in 1928, Ozick writes about Jewish American life, politics, history, literary criticism, The
Holocaust and its aftermath. Much of her
work explores the disparaged self, the reconstruction of identity after
immigration, trauma and movement from one class to another.
The author of 6
novels, 7 short-story collections and 7 books of criticism, Ozick received a
National Jewish Book Council Award for lifetime achievement in 2010, was a finalist for the National Book
Award (for her Puttermesser Papers),
won both the PEN/Nabokov and PEN/Malamud Awards, and earned the Presidential
Medal for the Humanities. Her short stories have won multiple O. Henry first
prizes and her works have been translated into 17 languages.
Ozick’s lyrical fiction style also
has earned such accolades as “The greatest living American writer” (from
several of her contemporaries), and the title
“The Emily Dickinson of The Bronx.” Meanwhile, her essay style has been called everything
from “uncompromising” to “biting” to “brilliant.” She is one of the world’s definitive writers
on American author Henry James.
“In an essay, you have the outcome
in your pocket before you set out on your journey, and very rarely do you make
an intellectual or psychological discovery,” she said in talking about why she
likes both genres. “But when you write
fiction, you don't know where you are going - sometimes down to the last
paragraph - and that is the pleasure of it.’
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