“We
have to dare to be ourselves, however frightening or strange that self may
prove to be.” – May Sarton
May Sarton was the pen name American
poet, novelist and memoirist Eleanore Marie Sarton, born on May 3, 1912 in
Belgium, but who grew up in Boston after her parents fled Europe at the start
of World War I.
She went to school in Cambridge,
Massachusetts, and started theatre lessons in her late teens at around the same
time she started writing poetry, publishing her first collection Encounter, in 1937. Her award-winning works tackle many deeply
human issues of love, loneliness, aging, nature, and self-doubt. Here, for Saturday’s Poem, is Sarton’s
A
Country Incident
Absorbed in planting bulbs, that
work of hope,
I was startled by a loud human voice,
“Do go on working while I talk. Don’t stop!”
And I was caught upon the difficult choice—
To yield the last half hour of precious light,
Or to stay on my knees, absurd and rude;
I willed her to be gone with all my might,
This kindly neighbor who destroyed a mood;
I could not think of next spring any more,
I had to re-assess the way I live.
Long after I went in and closed the door,
I pondered on the crude imperative.
What it is to be caught up in each day
Like a child fighting imaginary wars,
Converting work into this passionate play,
A rounded whole made up of different chores
Which one might name haphazard meditation.
And yet an unexpected call destroys
Or puts to rout my primitive elation:
Why be so serious about mere joys?
Is this where some outmoded madness lies,
Poet as recluse? No, what comes to me
Is how my father looked out of his eyes,
And how he fought for his own passionate play.
He could tear up unread and throw away
Communications from officialdom,
And, courteous in every other way,
Would not brook anything that kept him from
Those lively dialogues with man’s whole past
That were his intimate and fruitful pleasure.
Impetuous, impatient to the last,
“Be adamant, keep clear, strike for your treasure!”
I hear the youthful ardor in his voice
(And so I must forgive a self in labor).
I feel his unrepentant smiling choice,
(And so I ask forgiveness of my neighbor).
I was startled by a loud human voice,
“Do go on working while I talk. Don’t stop!”
And I was caught upon the difficult choice—
To yield the last half hour of precious light,
Or to stay on my knees, absurd and rude;
I willed her to be gone with all my might,
This kindly neighbor who destroyed a mood;
I could not think of next spring any more,
I had to re-assess the way I live.
Long after I went in and closed the door,
I pondered on the crude imperative.
What it is to be caught up in each day
Like a child fighting imaginary wars,
Converting work into this passionate play,
A rounded whole made up of different chores
Which one might name haphazard meditation.
And yet an unexpected call destroys
Or puts to rout my primitive elation:
Why be so serious about mere joys?
Is this where some outmoded madness lies,
Poet as recluse? No, what comes to me
Is how my father looked out of his eyes,
And how he fought for his own passionate play.
He could tear up unread and throw away
Communications from officialdom,
And, courteous in every other way,
Would not brook anything that kept him from
Those lively dialogues with man’s whole past
That were his intimate and fruitful pleasure.
Impetuous, impatient to the last,
“Be adamant, keep clear, strike for your treasure!”
I hear the youthful ardor in his voice
(And so I must forgive a self in labor).
I feel his unrepentant smiling choice,
(And so I ask forgiveness of my neighbor).
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